流星赶月6.

1891年，后印(🚱)象派(pà(🚨)i )大师(shī )保罗(❎)·高更(🍢)(gèng )在巴黎的(🔩)艺术圈(🤯)(quān )已小(xiǎo )有(🗑)名气，但(dàn )为文(wén )明(🍽)社会的虚(xū )伪与矫(🦋)情感到厌(yàn )烦。对于(🎴)原始世界的(de )渴望驱(🌼)使他离开(kāi )家中(zhō(🀄)ng )妻小，来到(dào )南(🕖)太平(🕑)洋的大溪(xī )地(🕋)；准备好为追(zhuī )寻(🌀)已(yǐ )久的自然、(👂)野(🏕)性、纯粹的生(shē(💭)ng )活(🍠)与(yǔ )创作环(🐳)境牺(♎)牲(🚾)一(yī )切。忍受(🏉)着经济(🔓)上的(de )贫困和(✡)(hé )精神(🛁)(shén )上的孤寂(🐜)，高更(gè(🔵)ng )走进丛林深(🅾)处，认识(⛪)(shí )了当地的(💍)毛(máo )利人，邂逅了原(👡)(yuán )住民(mín )女孩德胡(🔸)拉(lā )；一(yī )段三角(🔗)关係(xì )也若隐若现(🍙)地缓(huǎn )缓浮(fú )出。这(🔳)座远方岛(dǎo )屿(💛)彷佛(💿)是他灵魂(hún )的(🤝)故(gù )土，此处充(chōng )满(〰)生命力的人物(wù(⏸) )面(🔅)貌(mào )与地景线条(💎)(tiá(🚪)o )都成(chéng )为他(🚇)的缪(🥛)思(🏧)(sī )，激发他创(🌻)作出(chū(🐒) )艺术(shù )生涯(🙋)中最具(😀)标志(zhì )性的(🐅)大师之(🤗)作。

法国(guó )《电(😕)影(yǐng )手(🐫)册(cè )》2018年度期(⛱)待榜单(dān )重点推荐(😃)影片之(zhī )一，影片采(😋)用16mm胶(jiāo )片拍摄，具有(🐵)极(jí )致的(de )迷幻色彩(👁)，影像(xiàng )超级大胆，故(❔)事讲述5个热爱(📦)(ài )艺(💽)术(shù )的“野小子(💦)”的(de )罪恶之行，让人(⛽)(ré(🕤)n )想到(dào )库布里克(🏗)的(🐩)(de )《发条橙》，而(ér )这5位(🚅)(wè(🏛)i )“野小子”则正(😃)(zhèng )由(🐌)5位(🤶)女演员(yuán )“扮(👾)演”，涉及(🐟)(jí )到了(le )不少(🛠)情色元(🕖)素，探讨了性(⛸)别结构(👂)。

奧(ào )馬爾在(🐉)(zài )倫敦(💉)(dūn )過着富裕(🍕)生活，還有一年就大(🦐)學(xué )畢業(yè )，一 切看(🚮)似(sì )安好。然後忽然(👥)(rán )一天(tiān )感召來了(🤚)，他無(wú )法再忍受波(⛱)斯尼亞大批穆(👡)斯(sī(🦈) )林被(bèi )虐殺的(🤳)報道和影(yǐng )像，要(😇)做(🔎)點什麼(me )改變(biàn )世(🦊)界(🎩)。真人(rén )真事改編(🖼)，呈(🔖)現(xiàn )恐怖(bù(🚤) )份子(🍨)的(🛏)成魔(mó )歷程(🧞)(chéng )；不(🎾)從英美(měi )主(📡)流角度(🚆)去看，也不(bú(👼) )全循伊(🕐)斯蘭觀點(diǎ(📦)n )，究竟可以折射出一(📣)(yī )幅怎樣(yàng )的圖(tú(⛏) )像？觀眾跟隨攝(shè(😩) )影機見證奧馬爾(ě(🏛)r )在巴(bā )基斯坦山區(🙁)(qū )受訓，在新德里(lǐ(♊) )綁架(jià )視為沉(💓)默同(📆)(tóng )謀的(de )歐美遊(🖼)客，策劃謀殺《華爾(🗒)(ě(😐)r )街日(rì )報》記者，以(➖)致(♏)(zhì )最後就擒。的確(🖋)(què(🕛) )，人(rén )在做天(🥎)在看(📺)(kà(🔙)n )，問題是哪一(🚛)個(gè )天(😋)在(zài )看。

从小(👾)在(zài )孤(💤)儿(ér )院长大(🚫)的女(nǚ(💟) )孩小鱼，在面(👱)对(duì )生活(huó )、事业(⏪)、爱情屡(lǚ )次受挫(🚙)后，孤独、绝(jué )望、(🐶)抑郁、自卑，多次试(⏰)图(tú )自杀。

Feeling disconnected with her teenage son, a protective mother decides to step outside of her comfort zone and take him camping. But as soon as she arrives, she begins butting heads with her handsome cabin neighbor, a single father and outdoorsman who is also in search of a connection with his teen daughter. Friction soon sparks a flame as these opposites attract. Stars Danica McKellar and Paul Greene.@

青年季诺(🌓)(nuò )在办(bàn )完母亲的(🥗)丧(sàng )礼后，动身(📄)寻找(zhǎo )当年(nián )抛弃(🧝)妻子的渣父(fù )，却(🍶)只(❄)找到疑似小三的(❎)肚(🏨)皮(pí )舞娘(niáng )萝拉(🕘)。殊(⏭)不知这(zhè )位(🥓)美丽的(🔪)小三，二十(shí(👱) )五年前(🌏)就是(shì )季诺(😠)要找的(⏺)「他(tā )」。萝(🤖)拉当年(🐜)的(de )绝情(qíng )缺(🕥)席，让季(jì )诺难以释(🥂)怀。面(miàn )对毫(háo )不知(🌜)情的儿子，萝拉尽管(💈)心慌，也尽(jìn )其可能(🥗)用现(xiàn )在的模样爱(🐟)他。几次互动下来，季(🛩)诺(nuò )的心逐渐(✈)柔(róu )软起来。重塑自(🈚)(zì )己且(qiě )活得精(👾)彩(🍘)的萝拉(lā )，究竟会(🚡)不(📒)会和季诺出柜，坦(🌏)承(🅾)(chéng )自己的人(👜)生故事(🥠)(shì )？

Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?