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在(➿)(zài )父亲去世后，亚(👁)(yà )伦回到(🎓)家中(🍡)帮(bāng )助(zhù )他悲痛(🐝)欲绝的(de )母(💀)亲，并(🤰)直面他的(de )过(guò )去，而在处理(✏)(lǐ )后(🚂)(hòu )事的过程中，他(tā )发现了(🆘)一个(🐤)神(shén )秘的骨灰龛，而这背后(😁)还隐(🗯)藏着更(gèng )加(jiā )可怕的东西(💁).....

2033年(niá(⛸)n )，一名少女受困(kùn )在一間神(🔵)祕的(🛳)孤兒院。她穿越(📳)時空(kōng )回(huí(💙) )到了(🤴)過去，尋(xú(📚)n )找(zhǎ(🥜)o )自己的親生父(fù(✏) )母(mǔ )，企圖(🙆)要改(🏈)變過往、扭轉未(⏩)來，或(huò )許(🌿)，她的(⤴)人生(shēng )將(jiāng )有不(🔀)同的發展(🚿)(zhǎn )。

Reza and his friend Mansoor are pickpockets. When Reza by his mother becomes aware that a rich girl has take an oath to marry a war injured person he decides to get close to her and find a way to marry her.

阿(🤒)呆和阿瓜是(shì )一对非常要(🚞)好的(🌹)朋(péng )友(yǒu )，他们觉得凭(píng )借(🚙)(jiè )自(🌖)己的力量可(kě )以(yǐ )修理一(🗺)切，有(🕋)(yǒu )麻烦发生时，只要开动脑(🚔)筋，利(😊)用(yòng )手(shǒu )边的工具都可(kě(👥) )以(yǐ(🏉) )搞定。人们总(zǒ(🛵)ng )会被他们的(🖼)“错误(⚡)”行为逗笑(🔣)，觉(jià(🆑)o )得(dé )他们有(🧡)点笨(🏚)，大(dà )部分(🍦)时间(🐚)会把(bǎ )事(shì )情搞(🆙)的更糟，但(👲)是呆(📵)瓜兄弟总能(néng )自(❌)(zì )己做的(🚛)事情(👡)中(zhōng )找(zhǎo )到“自己的路(lù )”，并(✏)对自(📔)己努(nǔ )力之后的结果感到(🌾)满(mǎ(㊙)n )意。因为他们(men )坚(jiān )信一句话(😅)“伟(wě(😧)i )大(dà )的创造在最开(kāi )始的(🍫)时候(👌)也不是完美的，关键的是(shì(🚎) )开(kā(🐩)i )始的勇气”。

南(ná(🍣)n )宋时汉水流(🎛)域(yù(📎) )河盗猖獗(🉐)，朝廷(🎡)为剿灭匪患(📻)派出(🌐)“横(héng )江军(🚊)”精英(🤳)章(zhāng )盖(gài )出任特(🔁)使，稽(jī )查(🔅)(chá )河(🍻)上大案。查案中与(💑)退役军人(🛹)莫(mò(🐲) )客(kè )偶遇，二人在(zài )误(wù )会(🐛)中建(🏄)立友谊(yì )。恰逢莫客亲人(ré(🥋)n )女孩(🕊)玉佩被河盗掳走(zǒu )，二人携(🙌)手救(🚺)(jiù )出(chū )玉佩和被拐儿(ér )童(💁)(tóng )，将(🗃)河盗正法(fǎ )，还一方平安。

1995年(✅)，Jonas是个(🖐)躲在柜中(zhōng )的(🦌)(de )14岁男孩，他对(🕤)(duì )英(🥁)(yīng )俊潇洒(🎹)的同(❗)学(xué )Nathan一(yī )见(💸)钟情(⤵)，尤其对Nathan桀(🖌)骜不(✋)驯的一面(miàn )又(yò(🦑)u )爱又怕。18年(🐳)后(hò(📅)u )，三十而立的Jonas已(yǐ(♌) )是(shì )风流(🗣)倜傥(🛁)的熟男，却仍在寻找人(rén )生(📥)(shēng )平(🗼)衡点，因为(wéi )挥(huī )之不去的(⛑)回忆(🚦)(yì )阴(yīn )影，他回到睽(kuí )违已(😝)久的(🗨)家乡，试图(tú )在每个记忆角(📎)(jiǎo )落(🕥)(luò )，寻找早已失(shī )去(qù )的线(💋)索、(📯)14岁的(de )自己，以及(🔽)他曾经爱过(💜)的那(👲)个男孩(hái )…

UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

“我(👍)的一生中(zhō(💅)ng )只(zhī(🗼) )害怕一件(⛷)事，就(🌚)(jiù )是有一天，黑色(👍)会吞没红(⏩)色。”

Laura Wagner has a promising career as a young auctioneer, but her life looks set to fall apart when she's the victim of a rape. The rapist is a well-known and respected gallery owner, and the assault takes place after a cocktail party. Laura knows it's unlikely she'll be believed if she files a complaint. But that same night the gallery owner's wife is murdered at home, and the husband is a suspect. His alibi is that he was raping Laura. When the police ask Laura to confirm the alibi, she realizes she can take her revenge by letting her rapist be convicted of murder